Ofelia lives in a world of fairy stories. She immerses herself in her books, and she
begins to lose a clear line between what is real and what is “make-believe.” The first time she is seen, in fact, she is
turning the page of a book of fairy tales. Ofelia has little regard for rules or
authority, disregarding her mother’s orders to call The Captain “father” and
The Captain’s proper greeting etiquette, all within the first few minutes of
the film. She represents childhood,
freedom of thought, and independence.
The Captain is the opposite.
He lives solidly in the “real world.”
He is practical, efficient, and rigid.
His first shot in the movie is him holding a pocket watch, a symbol for
the demands of life. His life is run by
his pocket watch; rather than happiness at seeing his new wife and daughter,
the first emotion we see from The Captain is irritation that they are running
late. He represents adulthood,
structure, and oppression.
While these things are true, they are not actually
interesting, and are being used only to establish a foundation upon which to
explore the ending of the film.
At the end of the film, The Captain finally catches and
shoots Ofelia in the Labyrinth. Shortly
afterwards, he is shot by revolutionaries.
However, the natures of their deaths are completely different. Ofelia has a vision of the Underworld, to
which she is returning as royalty, while The Captain dies alone, with no one to
remember him. The Captain is informed
before he dies that his only connection to the world, his son, “won’t even know
his name.” He fails to continue to “live”
through others, because, while many people feared him, nobody loved him. On the other hand, Ofelia was loved by many
people, and therefore will continue to impact the lives of those who loved
her. In a way, she continues to live on
through them, regardless of whether or not her vision of returning to the
Underworld is real or not.
If we replace these characters’ names with what they
represent, we can find more meaning in their deaths. The Captain was oppression, so his death
would symbolize the death of oppression in the community. Understandably, nobody mourns his passing, and
are glad to see him gone. They are also
determined not to allow his son to become the same oppressive force as his
father. Ofelia represented freedom, so
her lack-of-death symbolizes how freedom can be temporarily rescinded by
oppression (The Captain shooting her), but is reborn with the death of
oppression (Ofelia being reborn into the Underworld).
If you would like to watch the closing sequence, it begins
at 1:45:40, and continues through the remainder of the film.
Here is a link to an online version (NO PROMISES ABOUT THE CONTENT
OF WEBPAGES, ADS, OR ANYTHING ELSE THAT MIGHT COME UP ALONG WITH THE
MOVIE. THE INTERNET IS A DANGEROUS
PLACE. YOU HAVE BEEN WARNED.)
Discussion Questions:
In what ways does Ofelia symbolize freedom? In what ways does The Captain symbolize
oppression?
This movie has, in many ways, a sad ending, considering that
the main character dies at the hands of her stepfather. One of the final shots is of Mercedes crying
over Ofelia’s body. There is also her
vision as she dies, however. Considering
what I said about Ofelia representing freedom, is this really a sad ending, or
a hopeful one?
-Michael Sanders